Together they create a picture that hints towards cubism.

他们合在一起形成了义。

It may not be Picasso`s brand of cubism but it`s still a square deal.

虽然它不是根究毕加索义设计，但它确实很方。

Fauvism, cubism, Impressionism and abstract art all saw their beginnings in Paris.

野兽派、义、印象派和抽象派都是从巴黎生根发芽。

I am the avant-garde, emerging at the same time as cubism, Dadaism, and surrealism.

我是先锋派，与义、达达义和超现实义同时问。

The paintings of Paul Cezanne prefigured the rise of cubism in the early 20th century.

保罗·塞预示了20纪早期义兴起。

If you Glaze your work, an AI model might instead see Picasso-esque cubism.

如果你给你作品加上 Glaze，AI 模型可能会看到毕加索式义。

A prolific innovator of art forms, he had already pioneered cubism, invented collage, and made major contributions to symbolism and surrealism.

作为一个多产艺术形式革新者，他已经开创了义，发明了拼贴，并对象征义和超现实义做出了重大贡献。

Stein tried to imitate the ideas of cubism in her writing.

斯坦因试图在她作品中模仿义思想。

Fauvism around 1905, and then a couple of years later cubism.

1905 年左右出现野兽派，几年后又出现义。

And if you're not familiar with analytic cubism...

你要是不熟悉派风话。

But cubism is not only a complex abstract system, it is also an abstract movement.

但义不仅是一个复杂抽象系统, 也是一种抽象运动。

After departing from the academy, he moved toward the styles of modernism, futurism, and later cubism.

离开学院后，他转向了现代义、未来义，后来又转向了义风格。

On the other, the forms of artistic expression made possible through surrealism, cubism, and new inventions, like the cinema and the phonograph.

另一边是一种通过超现实义让艺术表达成为现实，义，和一些新发明，例如电影院和摄影。

She wrote a lot about art, a lot about the theory of cubism and other artistic movements during this time.

她写了很多关于艺术文章，很多关于义和其他艺术运动理论。

The idea of cubism as an (abstract) movement manifests itself at the mental space level in several further specific ways.

义作为一种 (抽象) 运动概念, 在精神空间层面上以几种更具方式表现出来。

I turn to the metaphor analyses of these two aspects of cubism below.

我转向下面对义这两个方面隐喻分析。

She did a lot of really amazing kind of cubism, but I really loved the actual sketch mixed with that frame.

她做了很多非常惊人义，但我真很喜欢与那个框架混合实际草图。

What we know about these aspects individually and taken together greatly contributes to the metaphorical understanding of cubism and cubist painting.

我们对这些方面了解, 无论是单独还是综合, 都极大地促进了对义和义绘隐喻理解。

The two figures correspond to Picasso and Braque, the founders of cubism.

这两个人物对应于义创始人毕加索和布拉克。

In 1911 he produced this painting, using  Cubist principles, but his breakthrough was this painting, which is more ambivalent in  its relationship with cubism.

1911年，他创作了这幅，运用了义原理，但他突破也在于这幅与义关系更加矛盾。