Its quiz shows, cooking lessons and vaudeville were perfectly watchable, it said, but the films were awful.
它问卷调查显示,烹饪节目杂耍节目最受欢迎,电影节目则不怎么受待见。
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In the late 1920s, two comics named Eddie Cantor and Ed Wynn invented the live studio audience as a way to bring the rowdiness and animation of their vaudeville and live performances into the creepy quiet of the recording studio.
20世纪20年代末,两位名叫埃迪·坎特(Eddie Cantor)和埃德·韦恩(Ed Wynn)的漫画家明了现场直播的录音棚观众音效,借此将他们的杂耍和现场表演中的喧闹和动画带入录音棚令人毛骨悚然的寂静之中。