Instead of voyeurism and fetishistic fixation, there is spatial disorientation; instead of the logic of the 'scene', it is semantic clusters, mental maps, spatial metaphors that organize comprehension and narrative transformation.

它用迷惑替代了偷窥欲拜欲迷恋，用语义簇、心理隐喻代替了场景逻辑性，组织了对理解叙事转换。