Ibsen borrows from bourgeois drama and melodrama, but also inverts their conclusions.

易卜生借鉴了资产阶级戏剧和音乐剧 但同时也颠覆了他们的结论。

Unlike melodrama, they usually had sad or tragic endings.

和音乐剧不同的是 它们的结局通常是悲伤的或者说是悲剧。

I wasn't sure of anything, except that I was living inside some melodrama.

我什么都不确定 除了我生活情节剧里。

What they want is melodrama. It's not highbrow.

而音乐剧正好满足了他们 所以音乐剧不是给知识分子看的。

Grand Guignol antecedent is melodrama with its anti-literary visually forward focus on sensation and surprise.

“恐怖剧”的先是音乐剧 其反文学的视觉前沿专注于感觉和惊喜。

Imagine the emotional pitch of a Victorian melodrama, add music, and you have the general idea.

想象一下，维多利亚时代的情节剧的情感基调，乐，你就有了大致的概念。

Sometimes that good time includes dogs. That's right. There is a whole sub-genre of dog melodrama.

有的时候这美好的时光也包括狗狗内 没错 音乐剧有一整个分支是用来讲狗的。

Regardless, melodrama is an incredibly successful and well attended form then and now.

不管怎么说 音乐剧当时以及现都非常受欢迎。

What kick-starts melodrama? Well, cities are getting bigger faster, which creates a newly urbanized working class.

是什么促使了音乐剧的出现？是的 随着城市的不断扩张 一个新的城市化的工人阶级脱颖而出。

Yep, today is all about melodrama, the form that body-slammed 19th century theater and still dominates entertainment culture today.

没错 今天我们要讲的是“音乐剧” 这戏剧19世纪风靡一时 至今仍是娱乐文化的主导。

Melodrama begins in France. The father of melodrama and the first to introduce dogs is...

音乐剧始于法国 而音乐剧之父 也是第一个把狗引进来的人 就是。

But here's a funny thing about melodrama.

但是音乐剧有一个有趣的点。

The style became more domestic in the 1820s and 1830s when there was a craze for true crime melodramas.

到了19世纪20年代和30年代 随着人们对真实的犯罪音乐剧的狂热 音乐剧的风格也变得更的接地气。

Pixesecanst, of course, plays are eventually exported to england and melodrama really takes off. Blame the lord chamberlain.

皮克斯利库的戏剧作品 当然 最终出口到了英国 音乐剧也是那里真正起飞 这要怪些个宫内大臣。

Surbeck, who is currently at the Max Planck Institute for Evolutionary Anthropology, got DNA samples from the players in this melodrama.

目前马克斯·普朗克进化人类学研究所工作的瑟贝克，从这部传奇剧的主角身提取了DNA。

Acting in melodrama was exaggerated, designed to appeal to the emotions.

音乐剧的表演很夸张 是为了迎合情感而设计的。

Of course, melodrama isn't just a play with music. I mean, literally it is.

当然 音乐剧不仅仅是一有音乐的表演 虽然直译过来确实是这个意思。

Eventually melodrama becomes so popular that the licensed theaters basically have no choice but to produce it as well.

后来音乐剧大受欢迎 以至于让有许可证的剧院变得别无选择 只能也去搞音乐剧。

Melodrama was big everywhere. But only America decided to link melodrama and the minstrel show.

音乐剧各地都很流行 但是只有美国把音乐剧和“黑脸秀”表演结合起到了一起。

It was a very necessary corrective to all of those decades of melodramas minstrel and blackface.

是对几十年的情节剧、吟游诗人和黑脸的一个非常必要的纠正。