I've always been interested in fractured, demented, asymmetrical, incongruous textures, and indeed what I call “dysprosody” – the prosody of distressed sounds.
我一直感兴趣的是诗歌的、乱、对称、和谐的结,是我说的言语声律障碍,即运用损声音的作诗法。
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But the number that are fit for verse, in terms of both meaning and prosody, is much smaller.
但从意义和韵上来说,能成为非常少。
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