Much of the work on view was produced after 1926, when Bonnard and his model, muse and wife, Marthe, moved into “Le Bosquet”, an unimposing villa above Cannes.

展出中许多都创作于1926年之后，当时带着玛莎——的模特儿，的灵感和的爱妻——进了戛城郊一个不起眼的别墅“乐凯斯”。

Invisible Blades enjoy cultivating misconceptions about the level of danger they present, and they relish any chance to demonstrate that the most unimposing weapons can be the most lethal.

这类武器使用方面的训练让同全副武装的战士同样有威胁。