The unwieldy zaniness of Bulgakov's great novel—whose action involves the devil and his retinue visiting Stalin's Moscow, the blighted affair of the eponymous characters, and the master's novel about Pontius Pilate and Jesus—somehow hasn't deterred stage adaptations.

魔鬼极其随从造访斯林的莫斯科，物的迹以所著关于比拉多和耶稣的故，但这些都没有阻碍舞台剧本的改写。